A Feature Film Is Twenty-four Lies Per

If A Director Says He Doesn't Care How Many People See His Films At All, I Simply Don't Believe Him. Otherwise Why Would He Bother To Make The Film? The Only Explanation Would Be That It Would Be An Act Of Masturbation. I Think That Every Creator Is Looking For A Receptor. He's Looking For An Audience. There Are Two Parts Of The Equation: A Creator And, Necessarily, The Receiver Of The Work. It's The Same Thing For A Painter Who Wants His Paintings To Be Seen.

It's The Duty Of Art To Ask Questions, Not To Provide Answers. And If You Want A Clearer Answer, I'll Have To Pass.

People Expect Me To Be Dark And Gloomy, Then Write That I'm A Jolly Chap, And After All, That Is What I Am. I Think It's A Case Of An Absolute Romantic Naivety That There Should Be A Parallel Between The Work And The Artist.

It Could Be Fascist, Religious Or Political - It's Always The Same Model That Operates In These Circumstances, And It's That Which Is The Actuality Of This Film. Therefore, It's Not Specifically An Explanation Of German Fascism Because That Would Be An Impossible Thing To Do In Any Case.

Every Form Of Anti-semitism, Every Form Of Xenophobia Plays On The Fear Of The Unknown, And Unfortunately There Are All Too Many Politicians Who Know How To Manipulate That. The Dumber People Are, The More They Feel The Need For A Broad Set Of Shoulders They Can Lay Their Head Against.