A Dead Love Never Dies.

Never Again Work In The Same Conditions In Whichyou Made Your First Film. It's Good To Take Risks, But Not Thatmuch Risk.

The 1980s Really Ended For Me In 1992 With The Film Kika.

My Mother Was An Extremely Creative Woman, Despite The Fact That She Lived The Life Of A Rural Housewife.

I Was Born At A Bad Time For Spain, But A Really Good One For Cinema.

Once We Actually Have The Production Script After Many Rewrites, At That Point Is When I Start To Decide What The Look And Colors Will Be. I Work Like A Painter, Even Though I'm Working In Three Dimensions. I'm Working With Chairs. I'm Working With Walls. But Even Things Like The Floor Or The Walls That People Might Think Are Not Important, They Actually Do Influence The Visual Look Of The Film. These Are Also Things That I Have To Think About.