A Bestseller Is A Book That Non-book

The Men Began To Trade Tales Of Atrocities, First Stories They Had Heard, Then Those They'd Witnessed, And Finally The Things That Had Happened To Themselves. A Litany Of Personal Humiliation, Outrage, And Anger Turned Sicklelike Back To Themselves As Humor. They Laughed Then, Uproariously, About The Speed With Which They Had Run, The Pose They Had Assumed, The Ruse They Had Invented To Escape Or Decrease Some Threat To Their Manliness, Their Humanness. All But Empire State, Who Stood, Broom In Hand And Drop-lipped, With The Expression Of A Very Intelligent Ten-year-old.

Isolation, You Know, Carries The Seeds Of Its Own Destruction Because As Times Change, Other Things Seep In.

I Wrote My First Novel Because I Wanted To Read It.

It Hit Her Like A Sledgehammer, And It Was Then That She Knew What To Feel. A Liquid Trail Of Hate Flooded Her Chest. Knowing That She Would Hate Him Long And Well Filled Her With Pleasant Anticipation, Like When You Know You Are Going To Fall In Love With Someone And You Wait For The Happy Signs. Hating Boyboy, She Could Get On With It, And Have The Safety, The Thrill, The Consistency Of That Hatred As Long As She Wanted Or Needed It To Define And Strengthen Her Or Protect Her From Routine Vulnerabilities.

I Think Being An Editor Really Helped Me Take Other People's Notes On My Writing. I'd Get A Note Like 'it's Too Wet' Or 'the First Couple Chapters Are Good, But Then The Rest Of The Pages Were So Wet That They Were Completely Illegible' Or 'did You Dip This In Sprite? This Smells Like Sprite. Why Would You Dip Your Novel In Sprite?' And Instead Of Pushing Back, I'd Listen. That's An Incredibly Important Skill For A Young Writer To Have.